Sharing information and links about Arabic oud and jazz, including Discographies and transcriptions.
عود جاز عربي
Welcome to the Arabic Jazz blog!
Ahlan wa sahlan!
Welcome to my blog. I've created this blog to share information and news about music that mixes elements of jazz and Arabic music. I'll also share scores and transcriptions etc. for musicians.
Souren Baronian is a tremendously talented Armenian-American clarinetist with extensive experience in both middle-eastern music and jazz. While his middle-eastern jazz music has influences primarily from Turkey and Armenia, and therefore isn't "Arabic jazz" exactly, I felt that the kinship of maqam-based music made it worthy of mention here. He studied with the reclusive jazz legend Lennie Tristano as well as the respected Turkish master Safet Gundeger, and has performed with many jazz greats like Carla Bley, Phil Woods, Paul Motian.
He leads Taksim, his group that presents an original synthesis of jazz and eastern music. Their album from 2002 "Blue Algae" is worth a listen for Boronian's unique compositional and playing styles, as well as the masterful musicians in the group like the phenomenal oud player Haig Manoukian.
In addition, he performs in ensemble that have a somewhat more traditional approach, like his trio Transition, which released a wonderful album called Desert Winds.
A very subdued album that rewards repeated listening. Brahem's oud playing does not dominate, but blends with the piano and accordion, with echoes of Bill Evans, Philip Glass, Schubert and Chopin.
Anouar Brahem : oud
François Couturier : piano
Jean Louis Matinier : accordion
Voyage du Sahar - 2006
Very similar album to Le Pas du Chat Noir
Anouar Brahem : oud
François Couturier : piano
Jean Louis Matinier : accordion
The Astounding Eyes Of Rita - 2009
Brahem returns here to a more energetic style, with playing and compositions reminiscent of Astrakan Café and Thimar.
Anouar Brahem : oud
Klaus Gesing : bass clarinet
Björn Meyer : bass
Khaled Yassine : darbouka, bendir
Madar - 1994
This is Garbarek's record, and it contains some compelling music. However, Garbarek has an unusual and strident tone of the saxophone, which is not everyone's cup of tea.
Jan Garbarek : tenor and soprano saxophones
Anouar Brahem : oud
Ustad Shaukat Hussain : tabla
There are also some bootlegs of Anouar Brahem concerts floating around teh internets. I don't want to link to them directly, but the concerts are:
Live In Salvator Kirche Church at Duisburg, Germany
Live at Teatro Sociale, Bellinzona, Switzerland, 1998 (with John Surman and Dave Holland)
Zürich International Jazz Festival 1993 (with Jan Garbarek and Shaukat Hussain)
Abboushi has been playing the buzuq starting at the National Conservatory of Music in Ramallah, Palestine, and continuing in New York City. He also is an accomplished jazz pianist, having studied at William Paterson University. His band Shusmo has a self-titled release that is well worth getting, with a great mix of original tunes and improvisations. Clarinetist Lefteris Bournias is a fiery complement to the more introspective musings of Abboushi's buzuq.
All of Brahem's available releases are on ECM. He has a simpler, more contemplative style than most oud players, and has on occasion shown his more traditional side. He rarely plays microtonal maqamat.
Selected discography:
Barzakh - 1991
With spare instumentation, much of the album is quite understated, though not without flights of virtuosity.
Conte de l'incroyable amour - 1992
One of Brahem's more traditional-sounding records, there is a lot of nice playing here by everyone, though the compositions do not stand out as Brahem's best.