Tareq Abboushi - Buzuq, percussion, composition Lefteris Bournias - Clarinet Héctor Morales - Congas, Cajón Zafer Tawil - Riq, Durbakkeh, Cymbals Dave Phillips- Bass |
Sharing information and links about Arabic oud and jazz, including Discographies and transcriptions. عود جاز عربي
Welcome to the Arabic Jazz blog!
Ahlan wa sahlan!
Welcome to my blog. I've created this blog to share information and news about music that mixes elements of jazz and Arabic music. I'll also share scores and transcriptions etc. for musicians.
Welcome to my blog. I've created this blog to share information and news about music that mixes elements of jazz and Arabic music. I'll also share scores and transcriptions etc. for musicians.
Showing posts with label Palestine. Show all posts
Showing posts with label Palestine. Show all posts
Monday, February 7, 2011
Tareq Abboushi
Abboushi has been playing the buzuq starting at the National Conservatory of Music in Ramallah, Palestine, and continuing in New York City. He also is an accomplished jazz pianist, having studied at William Paterson University. His band Shusmo has a self-titled release that is well worth getting, with a great mix of original tunes and improvisations. Clarinetist Lefteris Bournias is a fiery complement to the more introspective musings of Abboushi's buzuq.
Labels:
bass,
buzuq,
clarinet,
darbuka,
latin,
Palestine,
riq,
shusmo,
Tareq Abboushi,
Zafer Tawil
Simon Shaheen
A Palestinian, born in the village of Tarshiha in the Galilee, Shaheen's childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master 'oud player. Simon began playing the oud at the age of five and the violin shortly thereafter.
Most of Shaheen's recorded output is on the more traditional side. His jazziest disc, Blue Flame is somewhat reminiscent of the music of John McLaughlin or Paco DeLucia. Shaheen regularly makes extensive use of microtonal maqamat such as Rast, Sikah and Bayati.
All of his recordings are very highly recommended.
Shameless plug: I'm playing guitar on this one in Ramallah!
Most of Shaheen's recorded output is on the more traditional side. His jazziest disc, Blue Flame is somewhat reminiscent of the music of John McLaughlin or Paco DeLucia. Shaheen regularly makes extensive use of microtonal maqamat such as Rast, Sikah and Bayati.
All of his recordings are very highly recommended.
Shameless plug: I'm playing guitar on this one in Ramallah!
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